Dexter and the Moonrocks: Friends That I Don't Like - Canadian Tour

Good to know

Notes from the organiser and the venue, as published on Ticketmaster. Togoist does not sell tickets; purchases, refunds and exchanges are handled by Ticketmaster.

• “En poursuivant, vous confirmer avoir lu, compris et accepté les termes et conditions applicables de la Politique de confidentialité de la salle. En achetant des billets pour cet événement, vous acceptez de respecter le code de conduite de salle. By continuing, you confirm that you have read, understood, and accepted the Ticket Terms and Conditions and the venue's Privacy Policy. By purchasing tickets to this event, you agree to abide by the venue's code of conduct.”
• “Accessibilité Billets destinés aux clients en fauteuil roulant et, dans certaines circonstances, à ceux nécessitant les services d'un interprète en langage des signes et à leur accompagnateur (1). Pour l'achat de billets fauteuil roulant ou pour obtenir plus de renseignements au sujet des services pouvant être offerts aux individus sourds, sourds-aveugles et malentendants lors d'événements présentés au Centre Bell, veuillez communiquer avec notre billetterie au 1-855-219-0576 ou 1-877-668-8269 ou info@evenko.ca. Accessibility Accessible tickets are for patrons in wheelchair and, under certain circumstances, for patrons requiring the services of sign language…”
• “Doors always open an hour and a half before the show. Do I have to be 18 to gain entry into MTELUS? Minors are admitted to MTELUS, as we have an amphitheatre permit rather than a bar license. However, you could be asked for an identification card in order to purchase alcoholic beverages. Moreover, any minor discovered consuming alcohol will be evicted from the premises immediately. Can we smoke in the concert halls? No. The law prohibits smoking in public spaces. The public is asked to refrain from smoking, except…”
• “Drivers will find a parking lot just opposite MTELUS, at the corner of Ste. Catherine and St. Dominique, as well as meter parking in the streets surrounding the venue.”
• “Everyone pay”